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Myth and Metamorphosis: Picasso's Classical Prints of the 1930s
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The book's argument is built around detailed analyses of several separate print series: Picasso's illustrations for Ovid's Metamorphoses, the etchings of the Vollard Suite, and The Minotauromachy. Common to all of them, the book shows, is a strong engagement not only with the classical, but with the viewer. In the latter, Picasso's prints are clearly at odds with the understanding of the relationship between classical art and its audience that prevailed throughout most of the nineteenth and twentieth centuries--an understanding that held the work's purported autonomy to mirror the viewer's own. By exposing that autonomy as a fantasy, Picasso opens the "classical" work and its viewer alike to the entanglements of desire and the dissolution of boundaries it inevitably brings.
пароль: infanata
пароль: infanata
年:
2001
出版:
illustrated edition
出版社:
The MIT Press
语言:
english
页:
280
ISBN 10:
0262062135
ISBN 13:
9780262062138
文件:
PDF, 11.91 MB
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IPFS:
CID , CID Blake2b
english, 2001
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